Johanna Ethnersson Pontara Senior lecturer, associate professor
Contact
Name and title: Johanna Ethnersson PontaraSenior lecturer, associate professor
Phone: +468161952
Workplace: Department of Culture and Aesthetics Länk till annan webbplats.
Visiting address Room V 308Frescativägen 22B-26
Postal address Institutionen för kultur och estetik106 91 Stockholm
About me
Associate Professor in Musicology. Postdoc scholarship 2007-02-01 – 2008-01-31: Il Dipartimento di Musica e Spettacolo, Alma Mater Studiorum Università di Bologna Born 1972; Ph. D. 2003
Her research has focused on opera and film with particular emphasis on intermediality, narratology, cultural study and performance theory.
Specializations:
- Opera and Film
- Film music
- Intermediality
- Cultural studies
- Early modern opera and 18th century opera
- Opera post 1960
- Performance theory
- Baroque musical aesthetics
- “The Female Opera Performance Reconsidered: Representations of Auditory Disability and Female Madness in Three Recent Films Inspired by Florence Foster Jenkins”, Music and the Moving Image, 19:3, 32-50.
- “’You Want Drama? Go to the Opera!’ Opera as a Means of Negotiation between Fiction and Real Life in Mission: Impossible – Rogue Nation”, Music, Sound and the Moving Image, 18:1, 7-27.
- ”Operasång som kvinnlig egenmakt. Skildringar av operasångerskan i filmer och tv-serier under 2010-talet”, Klassisk musik i det moderna mediesamhället: konstruktioner, föreställningar, förhandlingar (eds. Åsa Bergman, Tobias Pontara), Göteborg och Stockholm: Makadam förlag, 235-265.
- “The Opera Singer of the 21st Century? Representations of the Singer Articulated by Benoît Jacquot’s Tosca (2001)”, Literature/Film Quarterly, 51:1, 1-9.
- “The Phenomenal Side of the Operatic Performance: Implications of Promotion Strategies on Cinematic Representations of the 21st Century”, Open Library of Humanities, 7:2, 1-24.
- “The Intersection between Film and Opera in the 1960s: Ingmar Bergman’s Hour of the Wolf as an Example of Formal Imitation”, The Power of the In-between: Intarmediality as a Tool for Aesthetic Analysis and Critical Reflection (eds. Sara Callahan, Magdalena Holdar, Christer Johansson and Sonya Petersson), Stockholm: Stockholm University Press, 49-74.
- “Musical Narration, Performance and Excess; the Creation of Horror in the Swedish Opera Tintomara by Lars Johan Werle”, ACT Zeitschrift für Musik & Performance, 7.
