Mediehistoriskt arkiv Symposium 2026: Networks, Infrastructures, Systems, and Other Media Connectors. A Marcus Wallenberg Symposium

CONFERENCE
Start date: Thursday 15 October 2026
Time: 09:20
End date: Friday 16 October 2026
Time: 16:30
Location: Department of Culture and Aesthetics

Welcome to the third of the recurring symposia organised by the Swedish scholarly association Mediehistoriskt arkiv (Media History Archives). Previous events have been held at Uppsala University and Lund University. This year, the symposium is hosted by the Department of Culture and Aesthetics, Stockholm University.

Photo in black and white. On it the text: Mediehistoriskt arkiv symposium 2026.

The telephone tower in Stockholm in the 1890s. Unknown photographer. Tekniska Museet, Stockholm (National Museum of Science and Technology, Stockholm).

Confirmed Keynotes

Lori Emerson, Professor of Media Studies, Director of Graduate Studies, and Director of the Media Archaeology Lab, University of Colorado Boulder

Visit Lori Emerson's profile page on University of Colorado Boulder

From Technology to Techniques of/for Liberation Radio

In this paper, Emerson continues to work through shifting her long time engagement with a media archaeology-inspired excavation of technologies and networks from the past for the sake of re-enlivening future possibilities to the more overtly political project of excavating past techniques. Focusing on techniques in and around radio that range from jamming signals to mobile broadcasting and communal listening to static as much as voices, Emerson shows how approaching thinkers such as Frantz Fanon as media theorists illuminate the stakes of focusing less on excavating technologies and their de-terminisms to excavating techniques that may be harnessed for future liberation from oppression.

Tiago de Luca, Reader in Film Studies, University of Warwick

Visit Tiago de Luca's profile page at University of Warwick

Hidden From View: Domestic Workers and the Politics of the Background

Across the visual arts and media, the background must perform a paradoxical function: it is essential for providing context for the scene but must not solicit disproportionate attention, lest it detract from the figures. Designed to be partially overlooked by viewers, the background is overlooked once again in the literature, where it is rarely treated as an aesthetic category in its own right. Yet, precisely because of its ancillary role, the background can show how certain subjects are centralised and made visible at the expense of the obstruction and invisibility of others. This becomes especially evident when we consider the framing of historically marginalised subjects through visual culture. By focusing on the figure of the domestic worker in select examples drawn from painting, photography, film and digital cultures, this paper will treat the background as a media connector whose excavation reveals surprising formal correspondences and recurrent tropes across a wide geographical and temporal spectrum. It will combine feminist and phenomenological theoretical insights to ask how social relations produce a partitioning of space that, in turn, determines who gets to occupy the front and centre of the image and who is pushed to the back and its margins.

The paper will bring together a purposefully broad selection of case studies to allow for productive intermedial readings. from the prevalence of servants in early modern and Dutch Golden Age painting to the ubiquity of the domestic worker in contemporary Latin American visual culture, including online projects, fiction film and documentary. Across these otherwise disparate forms and formats, common visual patterns start to emerge, irrespective of the medium: workers are overwhelmingly relegated to the background, cut off by the frame, and occluded by other figures and objects. Placed and read alongside each other, these works reveal that the background is not simply where images consign what is superfluous to the protagonists, but the very site where power relations become, paradoxically, most visible.

Networks, Infrastructures, Systems, and Other Media Connectors

Networks, infrastructures, systems, ecologies, and similar concepts have become central to media-historical studies. What these terms share is a function as media connectors. They link media across temporal, spatial, and disciplinary boundaries. Whether at a global or local scale or over longer or shorter time spans, research that engages with these concepts sheds light on how media operate within interconnected structures. Here, media should be understood in the widest possible sense, encompassing objects (such as photographic prints, books, or manuscripts), display devices (loudspeakers, projectors, digital screens), and storage media (film reels, vinyl records, cloud servers). It may also refer to elements within larger media systems, such as electronic signals, fibre-optic cables, and radio waves, or to media practices, including, for instance, the logistics of news agencies, the writing, sending and circulation of letters, or the collecting of digital and analogue photographs. Finally, it includes all the users, developers, artists, audiences, and distributors across different historical periods and cultural contexts.

By focusing on the broad and fundamental issue of media connectors, this symposium both wishes to reflect the diversity of media-historical research and to promote a methodological discussion that enables us to understand past and present media in new ways. We welcome contributions from scholars across disciplines who wish to engage with conceptual and empirical explorations of media connectors—their historical operations and effects as well as their epistemological implications. Possible points of inspiration include, but are not limited to:

  • Connections across borders, whether across different academic disciplines, national media landscapes, epistemic cultures, or political and cultural fields.
  • Relations between macro- and micro-levels, exploring how individual media elements function within larger infrastructural and systemic formations.
  • Temporal connections, considering old and new media interrelations, anachronisms, media parallelism, historical change, media persistence, and obsolescence.
  • The materiality of media infrastructures, including physical, technological, and logistical structures that enable media networks.
  • Alternative or counter-networks, exploring subversive, underground, or non-hegemonic media formations that challenge dominant infrastructures.
  • Relations between human and non-human agents in sustaining media infrastructures.
  • Aesthetics of media connectivity, considering how artistic forms reflect, critique, or experiment with media interconnections.
  • Meta-reflections on conceptual frameworks, analysing how networks, infrastructures, systems, and related concepts function as methodological tools and metaphors in media-historical research.

Programme

The Auditory, Department of Culture and Aesthetics



9:20–9:30

Welcome

Sonya Petersson, Mediehistoriskt arkiv, Stockholm University

9:30–12:10

Session 1: Media, Society and Infrastructures
Moderators: Elin Franzén and Staffan Bergwik

9:30–9:50

Making Quality and Performance Observable: An Infrastructural Perspective on New Public Management, Johan Jarlbrink, Umeå University, & Charlie Järpvall, Linnaeus University

9:50–10:10

The Measured Audience: Survey Research Infrastructures and Swedish Mid-20th Century Public Service Media, Eskil Vesterlund, Lund University

10:10–10:25

Questions

10:25–10:55

Coffee (The Library)

10:55–11:15

The Vanishing Paper: Infrastructural Displacement at a Critical Juncture of Digitalization, Fredrik Stiernstedt, Södertörn University, & Anne Kaun, Södertörn University

11:15–11:35

Sonic Preparedness: The Air-Raid Siren as a New Media Connector in Interwar Sweden, Marie Cronqvist, Linköping University

11:35–11:55

A Leading Nation in IT: The Many Media of the Swedish IT Commission, Dennis Magnusson, Chalmers University

11:55–12:10

Questions

12:10–13:20

Lunch

13:20–14:20

Keynote Speaker: Lori Emerson
Moderator: Johan Klingborg

13:20–14:05

From Technology to Techniques of/for Liberation Radio, Lori Emerson, Professor of Media Studies, University of Colorado Boulder

14:05–14:20

Questions

14:20–15:15

Session 2: Operational Images
Moderator: Sonya Petersson

14:20–14:40

From Raster Point to Latent Space: Formatting the Infrastructural Image, Sebastian Rozenberg, Linköping University

14:40–15:00

Organizational Charts in the Manufacturing Industry: Visualizing Connections, Activities and Flows, Karolina Uggla, Mälardalen University

15:00–15:15

Questions

15:15–15:45

Coffee (The Library)

15:45–17:00

Session 3: Publishing Infrastructures
Moderator: Sonya Petersson

15:45–16:05

The Origins of the Swedish-American Newspaper Economy, 1857–1873, Erik Thosteman, Uppsala University

16:05–16:25

Media as Connector: Georgian Press and the Transnational Circulation of Women’s Philanthropy in the 19th Century, Ana Bakanidze, Sokhumi State University

16:25–16:45

In the Service of History: Mediated Archives and the Infrastructure of Historical Knowledge, Alexander Iscasson, Karlstad University

16:45–17:00

Questions


 The Auditory, Department of Culture and Aesthetics


9:00–11:30 Session 4: Logistics and Adaptations Across Media and Disciplines
Moderator: Elina Druker
9:00–9:20Digital Games as Media for Transdisciplinary Communication, Jonathan Rozenkrantz, Lund University
9:20–9:40The Forgotten Side of Transcultural Storytelling: A Century of Swedish Film Adaptations of Foreign Literature, Anna Sofia Rossholm, Stockholm University
9:40–10:00Ludifying the Hunt for Dracula: Adapting the Logistical Dimension of Bram Stoker’s Dracula (1897) to the Board Game The Fury of Dracula (1987), Andreas Rovio, Uppsala University
10:00–10:15Questions
10:15–10:40 Coffee (The Library)
10:40–11:00Emerging Forms: Exploring South African Electronic Literature Through the Lens of Internet History, Jasmine Mattey, University of Bergen
11:00–11:20The Roads of Realism: Literature and Logistics, 1770–1840, Thomas Götselius, Stockholm University
11:20–11:30Questions
11:30–12:40 Lunch
12:40–13:40 Keynote Speaker: Tiago de Luca
Moderator: Sonya Petersson
12:40–13:25Hidden From View: Domestic Workers and the Politics of the Background, Tiago de Luca, Reader in Film Studies, University of Warwick
13:25–13:40Questions
13:40–14:35 Session 5: Practices and Cultures of Media
Moderator: Elin Franzén
13:40–14:00Microfilm as a Media Connector for Book Lending and the Rationalization of the Swedish Library Sector During the 1950s and 1960s, Erik Florin Persson, Linnaeus University
14:00–14:20Video Store Stories: Media Practice and the Everyday, Charlie Van, Lund University
14:20–14:35Questions
14:35–15:00 Coffee (The Library)
15:00–15:55 Session 6: Humans and Technologies
Moderator: Johan Klingborg
15:00–15:20Human as Medium: Caring for Machines in the Age of AI, Johan Fredrikzon, KTH Royal Institute of Technology
15:20–15:40Romantic ‘Data Processing’ Around 1800: Love and Its Media Technologies in Goethe’s Die Wahlverwandtschaften (1809), Lukas Lehner, University of Oslo
15:40–15:55Questions
15:55–16:30 Summary and Discussion
Matts Lindström, Chair Mediehistoriskt arkiv, Uppsala University

Registration

The symposium is free of charge and open to all but requires registration with an e-mail to: sonya.petersson@arthistory.su.se

Venue

The conference takes place at the Auditorium, Department of Culture and Aesthetics, Frescativägen 24 E.

To get to Stockholm University, you can travel by underground (tube/metro) from the central station in Stockholm. Take the northbound red line to Mörby Centrum and get off at the station Universitetet. The journey takes about 10 minutes.

From the station at campus, it is a one-minute walk to the Department of Culture and Aesthetics. Turn left when you exit the station. Walk towards the red-brown brick buildings, entrance 24 E (main entrance). The Auditorium is on the first floor.

Organising Committee

  • Sonya Petersson, Research Fellow of Art History, Stockholm University
  • Johan Klingborg, Assistant Professor of Swedish Literature and Culture, University of California, Berkeley
  • Elina Druker, Professor of Literature, Stockholm University
  • Elin Franzén, Research Fellow of Ethnology, Stockholm University
  • Staffan Bergwik, Professor of History of Ideas, Stockholm University

Funding

The symposium is funded by generous contributions from Marcus Wallenberg Foundation for International Scientific Collaboration, The Magnus Bergvall Foundation, The Sven and Dagmar Salén Foundation and the Department of Culture and Aesthetics.

About Mediehistoriskt arkiv

Mediehistoriskt arkiv (Media History Archives) publishes media related research from all over Sweden and includes anthologies, monographs, and collections of sources. The book series was founded in 2006 by Pelle Snickars at the Swedish National Archive of Recorded Sound and Moving Images; then moved with Snickars to the National Library of Sweden – and was finally transferred in 2014 to Lund University with Patrik Lundell as editor. Since 2019 the non-profit association Föreningen Mediehistoriskt arkiv is the publisher of the book series – with Andreas Nyblom as editor. Mediehistoriskt arkiv publishes titles in both Swedish and English. All titles can be accessed here:

mediehistorisktarkiv.se/bocker

Last updated: 2026-09-09

Source: Department of Culture and Aesthetics